Film Voice-Over-Europe Market Status and Trend Report 2013-2023
Report Summary
Film Voice-Over-Europe Market Status and Trend Report 2013-2023 offers a comprehensive analysis on Film Voice-Over industry, standing on the readers’ perspective, delivering detailed market data and penetrating insights. No matter the client is industry insider, potential entrant or investor, the report will provides useful data and information. Key questions answered by this report include:
Whole Europe and Regional Market Size of Film Voice-Over 2013-2017, and development forecast 2018-2023
Main market players of Film Voice-Over in Europe, with company and product introduction, position in the Film Voice-Over market
Market status and development trend of Film Voice-Over by types and applications
Cost and profit status of Film Voice-Over, and marketing status
Market growth drivers and challenges
The report segments the Europe Film Voice-Over market as:
Europe Film Voice-Over Market: Regional Segment Analysis (Regional Consumption Volume, Consumption Volume, Revenue and Growth Rate 2013-2023):
Germany
United Kingdom
France
Italy
Spain
Benelux
Russia
Europe Film Voice-Over Market: Product Type Segment Analysis (Consumption Volume, Average Price, Revenue, Market Share and Trend 2013-2023):
Native Language Voice-Over
Foreign Language Voice-Over
Minority Language Voice-Over
Special Language Voice-Over
Europe Film Voice-Over Market: Application Segment Analysis (Consumption Volume and Market Share 2013-2023; Downstream Customers and Market Analysis)
Drama
Comedy
Horror Movie
Romance
Europe Film Voice-Over Market: Players Segment Analysis (Company and Product introduction, Film Voice-Over Sales Volume, Revenue, Price and Gross Margin):
IdeaSonora Barcelona
Envato Studio
JBI Studios
BKS Dubbing Studios
ALS International
VOA VOICE STUDIOS
Jason's Voices
Arabic Voice Over
RixTrans
In a word, the report provides detailed statistics and analysis on the state of the industry; and is a valuable source of guidance and direction for companies and individuals interested in the market.
Film Voice-Over-Europe Market Status and Trend Report 2013-2023 offers a comprehensive analysis on Film Voice-Over industry, standing on the readers’ perspective, delivering detailed market data and penetrating insights. No matter the client is industry insider, potential entrant or investor, the report will provides useful data and information. Key questions answered by this report include:
Whole Europe and Regional Market Size of Film Voice-Over 2013-2017, and development forecast 2018-2023
Main market players of Film Voice-Over in Europe, with company and product introduction, position in the Film Voice-Over market
Market status and development trend of Film Voice-Over by types and applications
Cost and profit status of Film Voice-Over, and marketing status
Market growth drivers and challenges
The report segments the Europe Film Voice-Over market as:
Europe Film Voice-Over Market: Regional Segment Analysis (Regional Consumption Volume, Consumption Volume, Revenue and Growth Rate 2013-2023):
Germany
United Kingdom
France
Italy
Spain
Benelux
Russia
Europe Film Voice-Over Market: Product Type Segment Analysis (Consumption Volume, Average Price, Revenue, Market Share and Trend 2013-2023):
Native Language Voice-Over
Foreign Language Voice-Over
Minority Language Voice-Over
Special Language Voice-Over
Europe Film Voice-Over Market: Application Segment Analysis (Consumption Volume and Market Share 2013-2023; Downstream Customers and Market Analysis)
Drama
Comedy
Horror Movie
Romance
Europe Film Voice-Over Market: Players Segment Analysis (Company and Product introduction, Film Voice-Over Sales Volume, Revenue, Price and Gross Margin):
IdeaSonora Barcelona
Envato Studio
JBI Studios
BKS Dubbing Studios
ALS International
VOA VOICE STUDIOS
Jason's Voices
Arabic Voice Over
RixTrans
In a word, the report provides detailed statistics and analysis on the state of the industry; and is a valuable source of guidance and direction for companies and individuals interested in the market.
CHAPTER 1 OVERVIEW OF FILM VOICE-OVER
1.1 Definition of Film Voice-Over in This Report
1.2 Commercial Types of Film Voice-Over
1.2.1 Native Language Voice-Over
1.2.2 Foreign Language Voice-Over
1.2.3 Minority Language Voice-Over
1.2.4 Special Language Voice-Over
1.3 Downstream Application of Film Voice-Over
1.3.1 Drama
1.3.2 Comedy
1.3.3 Horror Movie
1.3.4 Romance
1.4 Development History of Film Voice-Over
1.5 Market Status and Trend of Film Voice-Over 2013-2023
1.5.1 Europe Film Voice-Over Market Status and Trend 2013-2023
1.5.2 Regional Film Voice-Over Market Status and Trend 2013-2023
CHAPTER 2 EUROPE MARKET STATUS AND FORECAST BY REGIONS
2.1 Market Status of Film Voice-Over in Europe 2013-2017
2.2 Consumption Market of Film Voice-Over in Europe by Regions
2.2.1 Consumption Volume of Film Voice-Over in Europe by Regions
2.2.2 Revenue of Film Voice-Over in Europe by Regions
2.3 Market Analysis of Film Voice-Over in Europe by Regions
2.3.1 Market Analysis of Film Voice-Over in Germany 2013-2017
2.3.2 Market Analysis of Film Voice-Over in United Kingdom 2013-2017
2.3.3 Market Analysis of Film Voice-Over in France 2013-2017
2.3.4 Market Analysis of Film Voice-Over in Italy 2013-2017
2.3.5 Market Analysis of Film Voice-Over in Spain 2013-2017
2.3.6 Market Analysis of Film Voice-Over in Benelux 2013-2017
2.3.7 Market Analysis of Film Voice-Over in Russia 2013-2017
2.4 Market Development Forecast of Film Voice-Over in Europe 2018-2023
2.4.1 Market Development Forecast of Film Voice-Over in Europe 2018-2023
2.4.2 Market Development Forecast of Film Voice-Over by Regions 2018-2023
CHAPTER 3 EUROPE MARKET STATUS AND FORECAST BY TYPES
3.1 Whole Europe Market Status by Types
3.1.1 Consumption Volume of Film Voice-Over in Europe by Types
3.1.2 Revenue of Film Voice-Over in Europe by Types
3.2 Europe Market Status by Types in Major Countries
3.2.1 Market Status by Types in Germany
3.2.2 Market Status by Types in United Kingdom
3.2.3 Market Status by Types in France
3.2.4 Market Status by Types in Italy
3.2.5 Market Status by Types in Spain
3.2.6 Market Status by Types in Benelux
3.2.7 Market Status by Types in Russia
3.3 Market Forecast of Film Voice-Over in Europe by Types
CHAPTER 4 EUROPE MARKET STATUS AND FORECAST BY DOWNSTREAM INDUSTRY
4.1 Demand Volume of Film Voice-Over in Europe by Downstream Industry
4.2 Demand Volume of Film Voice-Over by Downstream Industry in Major Countries
4.2.1 Demand Volume of Film Voice-Over by Downstream Industry in Germany
4.2.2 Demand Volume of Film Voice-Over by Downstream Industry in United Kingdom
4.2.3 Demand Volume of Film Voice-Over by Downstream Industry in France
4.2.4 Demand Volume of Film Voice-Over by Downstream Industry in Italy
4.2.5 Demand Volume of Film Voice-Over by Downstream Industry in Spain
4.2.6 Demand Volume of Film Voice-Over by Downstream Industry in Benelux
4.2.7 Demand Volume of Film Voice-Over by Downstream Industry in Russia
4.3 Market Forecast of Film Voice-Over in Europe by Downstream Industry
CHAPTER 5 MARKET DRIVING FACTOR ANALYSIS OF FILM VOICE-OVER
5.1 Europe Economy Situation and Trend Overview
5.2 Film Voice-Over Downstream Industry Situation and Trend Overview
CHAPTER 6 FILM VOICE-OVER MARKET COMPETITION STATUS BY MAJOR PLAYERS IN EUROPE
6.1 Sales Volume of Film Voice-Over in Europe by Major Players
6.2 Revenue of Film Voice-Over in Europe by Major Players
6.3 Basic Information of Film Voice-Over by Major Players
6.3.1 Headquarters Location and Established Time of Film Voice-Over Major Players
6.3.2 Employees and Revenue Level of Film Voice-Over Major Players
6.4 Market Competition News and Trend
6.4.1 Merger, Consolidation or Acquisition News
6.4.2 Investment or Disinvestment News
6.4.3 New Product Development and Launch
CHAPTER 7 FILM VOICE-OVER MAJOR MANUFACTURERS INTRODUCTION AND MARKET DATA
7.1 IdeaSonora Barcelona
7.1.1 Company profile
7.1.2 Representative Film Voice-Over Product
7.1.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of IdeaSonora Barcelona
7.2 Envato Studio
7.2.1 Company profile
7.2.2 Representative Film Voice-Over Product
7.2.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of Envato Studio
7.3 JBI Studios
7.3.1 Company profile
7.3.2 Representative Film Voice-Over Product
7.3.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of JBI Studios
7.4 BKS Dubbing Studios
7.4.1 Company profile
7.4.2 Representative Film Voice-Over Product
7.4.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of BKS Dubbing Studios
7.5 ALS International
7.5.1 Company profile
7.5.2 Representative Film Voice-Over Product
7.5.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of ALS International
7.6 VOA VOICE STUDIOS
7.6.1 Company profile
7.6.2 Representative Film Voice-Over Product
7.6.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of VOA VOICE STUDIOS
7.7 Jason's Voices
7.7.1 Company profile
7.7.2 Representative Film Voice-Over Product
7.7.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of Jason's Voices
7.8 Arabic Voice Over
7.8.1 Company profile
7.8.2 Representative Film Voice-Over Product
7.8.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of Arabic Voice Over
7.9 RixTrans
7.9.1 Company profile
7.9.2 Representative Film Voice-Over Product
7.9.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of RixTrans
CHAPTER 8 UPSTREAM AND DOWNSTREAM MARKET ANALYSIS OF FILM VOICE-OVER
8.1 Industry Chain of Film Voice-Over
8.2 Upstream Market and Representative Companies Analysis
8.3 Downstream Market and Representative Companies Analysis
CHAPTER 9 COST AND GROSS MARGIN ANALYSIS OF FILM VOICE-OVER
9.1 Cost Structure Analysis of Film Voice-Over
9.2 Raw Materials Cost Analysis of Film Voice-Over
9.3 Labor Cost Analysis of Film Voice-Over
9.4 Manufacturing Expenses Analysis of Film Voice-Over
CHAPTER 10 MARKETING STATUS ANALYSIS OF FILM VOICE-OVER
10.1 Marketing Channel
10.1.1 Direct Marketing
10.1.2 Indirect Marketing
10.1.3 Marketing Channel Development Trend
10.2 Market Positioning
10.2.1 Pricing Strategy
10.2.2 Brand Strategy
10.2.3 Target Client
10.3 Distributors/Traders List
CHAPTER 11 REPORT CONCLUSION
CHAPTER 12 RESEARCH METHODOLOGY AND REFERENCE
12.1 Methodology/Research Approach
12.1.1 Research Programs/Design
12.1.2 Market Size Estimation
12.1.3 Market Breakdown and Data Triangulation
12.2 Data Source
12.2.1 Secondary Sources
12.2.2 Primary Sources
12.3 Reference
1.1 Definition of Film Voice-Over in This Report
1.2 Commercial Types of Film Voice-Over
1.2.1 Native Language Voice-Over
1.2.2 Foreign Language Voice-Over
1.2.3 Minority Language Voice-Over
1.2.4 Special Language Voice-Over
1.3 Downstream Application of Film Voice-Over
1.3.1 Drama
1.3.2 Comedy
1.3.3 Horror Movie
1.3.4 Romance
1.4 Development History of Film Voice-Over
1.5 Market Status and Trend of Film Voice-Over 2013-2023
1.5.1 Europe Film Voice-Over Market Status and Trend 2013-2023
1.5.2 Regional Film Voice-Over Market Status and Trend 2013-2023
CHAPTER 2 EUROPE MARKET STATUS AND FORECAST BY REGIONS
2.1 Market Status of Film Voice-Over in Europe 2013-2017
2.2 Consumption Market of Film Voice-Over in Europe by Regions
2.2.1 Consumption Volume of Film Voice-Over in Europe by Regions
2.2.2 Revenue of Film Voice-Over in Europe by Regions
2.3 Market Analysis of Film Voice-Over in Europe by Regions
2.3.1 Market Analysis of Film Voice-Over in Germany 2013-2017
2.3.2 Market Analysis of Film Voice-Over in United Kingdom 2013-2017
2.3.3 Market Analysis of Film Voice-Over in France 2013-2017
2.3.4 Market Analysis of Film Voice-Over in Italy 2013-2017
2.3.5 Market Analysis of Film Voice-Over in Spain 2013-2017
2.3.6 Market Analysis of Film Voice-Over in Benelux 2013-2017
2.3.7 Market Analysis of Film Voice-Over in Russia 2013-2017
2.4 Market Development Forecast of Film Voice-Over in Europe 2018-2023
2.4.1 Market Development Forecast of Film Voice-Over in Europe 2018-2023
2.4.2 Market Development Forecast of Film Voice-Over by Regions 2018-2023
CHAPTER 3 EUROPE MARKET STATUS AND FORECAST BY TYPES
3.1 Whole Europe Market Status by Types
3.1.1 Consumption Volume of Film Voice-Over in Europe by Types
3.1.2 Revenue of Film Voice-Over in Europe by Types
3.2 Europe Market Status by Types in Major Countries
3.2.1 Market Status by Types in Germany
3.2.2 Market Status by Types in United Kingdom
3.2.3 Market Status by Types in France
3.2.4 Market Status by Types in Italy
3.2.5 Market Status by Types in Spain
3.2.6 Market Status by Types in Benelux
3.2.7 Market Status by Types in Russia
3.3 Market Forecast of Film Voice-Over in Europe by Types
CHAPTER 4 EUROPE MARKET STATUS AND FORECAST BY DOWNSTREAM INDUSTRY
4.1 Demand Volume of Film Voice-Over in Europe by Downstream Industry
4.2 Demand Volume of Film Voice-Over by Downstream Industry in Major Countries
4.2.1 Demand Volume of Film Voice-Over by Downstream Industry in Germany
4.2.2 Demand Volume of Film Voice-Over by Downstream Industry in United Kingdom
4.2.3 Demand Volume of Film Voice-Over by Downstream Industry in France
4.2.4 Demand Volume of Film Voice-Over by Downstream Industry in Italy
4.2.5 Demand Volume of Film Voice-Over by Downstream Industry in Spain
4.2.6 Demand Volume of Film Voice-Over by Downstream Industry in Benelux
4.2.7 Demand Volume of Film Voice-Over by Downstream Industry in Russia
4.3 Market Forecast of Film Voice-Over in Europe by Downstream Industry
CHAPTER 5 MARKET DRIVING FACTOR ANALYSIS OF FILM VOICE-OVER
5.1 Europe Economy Situation and Trend Overview
5.2 Film Voice-Over Downstream Industry Situation and Trend Overview
CHAPTER 6 FILM VOICE-OVER MARKET COMPETITION STATUS BY MAJOR PLAYERS IN EUROPE
6.1 Sales Volume of Film Voice-Over in Europe by Major Players
6.2 Revenue of Film Voice-Over in Europe by Major Players
6.3 Basic Information of Film Voice-Over by Major Players
6.3.1 Headquarters Location and Established Time of Film Voice-Over Major Players
6.3.2 Employees and Revenue Level of Film Voice-Over Major Players
6.4 Market Competition News and Trend
6.4.1 Merger, Consolidation or Acquisition News
6.4.2 Investment or Disinvestment News
6.4.3 New Product Development and Launch
CHAPTER 7 FILM VOICE-OVER MAJOR MANUFACTURERS INTRODUCTION AND MARKET DATA
7.1 IdeaSonora Barcelona
7.1.1 Company profile
7.1.2 Representative Film Voice-Over Product
7.1.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of IdeaSonora Barcelona
7.2 Envato Studio
7.2.1 Company profile
7.2.2 Representative Film Voice-Over Product
7.2.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of Envato Studio
7.3 JBI Studios
7.3.1 Company profile
7.3.2 Representative Film Voice-Over Product
7.3.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of JBI Studios
7.4 BKS Dubbing Studios
7.4.1 Company profile
7.4.2 Representative Film Voice-Over Product
7.4.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of BKS Dubbing Studios
7.5 ALS International
7.5.1 Company profile
7.5.2 Representative Film Voice-Over Product
7.5.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of ALS International
7.6 VOA VOICE STUDIOS
7.6.1 Company profile
7.6.2 Representative Film Voice-Over Product
7.6.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of VOA VOICE STUDIOS
7.7 Jason's Voices
7.7.1 Company profile
7.7.2 Representative Film Voice-Over Product
7.7.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of Jason's Voices
7.8 Arabic Voice Over
7.8.1 Company profile
7.8.2 Representative Film Voice-Over Product
7.8.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of Arabic Voice Over
7.9 RixTrans
7.9.1 Company profile
7.9.2 Representative Film Voice-Over Product
7.9.3 Film Voice-Over Sales, Revenue, Price and Gross Margin of RixTrans
CHAPTER 8 UPSTREAM AND DOWNSTREAM MARKET ANALYSIS OF FILM VOICE-OVER
8.1 Industry Chain of Film Voice-Over
8.2 Upstream Market and Representative Companies Analysis
8.3 Downstream Market and Representative Companies Analysis
CHAPTER 9 COST AND GROSS MARGIN ANALYSIS OF FILM VOICE-OVER
9.1 Cost Structure Analysis of Film Voice-Over
9.2 Raw Materials Cost Analysis of Film Voice-Over
9.3 Labor Cost Analysis of Film Voice-Over
9.4 Manufacturing Expenses Analysis of Film Voice-Over
CHAPTER 10 MARKETING STATUS ANALYSIS OF FILM VOICE-OVER
10.1 Marketing Channel
10.1.1 Direct Marketing
10.1.2 Indirect Marketing
10.1.3 Marketing Channel Development Trend
10.2 Market Positioning
10.2.1 Pricing Strategy
10.2.2 Brand Strategy
10.2.3 Target Client
10.3 Distributors/Traders List
CHAPTER 11 REPORT CONCLUSION
CHAPTER 12 RESEARCH METHODOLOGY AND REFERENCE
12.1 Methodology/Research Approach
12.1.1 Research Programs/Design
12.1.2 Market Size Estimation
12.1.3 Market Breakdown and Data Triangulation
12.2 Data Source
12.2.1 Secondary Sources
12.2.2 Primary Sources
12.3 Reference
