Music Production App-Global Market Status & Trend Report 2013-2023 Top 20 Countries Data
Report Summary
Music Production App-Global Market Status & Trend Report 2013-2023 Top 20 Countries Data offers a comprehensive analysis on Music Production App industry, standing on the readers’ perspective, delivering detailed market data in Global major 20 countries and penetrating insights. No matter the client is industry insider, potential entrant or investor, the report will provides useful data and information. Key questions answered by this report include:
Worldwide and Top 20 Countries Market Size of Music Production App 2013-2017, and development forecast 2018-2023
Main manufacturers/suppliers of Music Production App worldwide and market share by regions, with company and product introduction, position in the Music Production App market
Market status and development trend of Music Production App by types and applications
Cost and profit status of Music Production App, and marketing status
Market growth drivers and challenges
The report segments the global Music Production App market as:
Global Music Production App Market: Regional Segment Analysis (Regional Production Volume, Consumption Volume, Revenue and Growth Rate 2013-2023):
North America (United States, Canada and Mexico)
Europe (Germany, UK, France, Italy, Russia, Spain and Benelux)
Asia Pacific (China, Japan, India, Southeast Asia and Australia)
Latin America (Brazil, Argentina and Colombia)
Middle East and Africa
Global Music Production App Market: Type Segment Analysis (Consumption Volume, Average Price, Revenue, Market Share and Trend 2013-2023):
DAWs (Full on Apps to Create Songs)
Synths App
Beat Machines App
Effects Processors App
Other
Global Music Production App Market: Application Segment Analysis (Consumption Volume and Market Share 2013-2023; Downstream Customers and Market Analysis)
iOS System Phone
Android System Phone
Windows System Phone
Others
Global Music Production App Market: Manufacturers Segment Analysis (Company and Product introduction, Music Production App Sales Volume, Revenue, Price and Gross Margin):
Native Instruments
Akai
Korg
Apple
Steinberg
Image-Line
Arturia
Casio
Moog Music
Propellerhead
In a word, the report provides detailed statistics and analysis on the state of the industry; and is a valuable source of guidance and direction for companies and individuals interested in the market.
Music Production App-Global Market Status & Trend Report 2013-2023 Top 20 Countries Data offers a comprehensive analysis on Music Production App industry, standing on the readers’ perspective, delivering detailed market data in Global major 20 countries and penetrating insights. No matter the client is industry insider, potential entrant or investor, the report will provides useful data and information. Key questions answered by this report include:
Worldwide and Top 20 Countries Market Size of Music Production App 2013-2017, and development forecast 2018-2023
Main manufacturers/suppliers of Music Production App worldwide and market share by regions, with company and product introduction, position in the Music Production App market
Market status and development trend of Music Production App by types and applications
Cost and profit status of Music Production App, and marketing status
Market growth drivers and challenges
The report segments the global Music Production App market as:
Global Music Production App Market: Regional Segment Analysis (Regional Production Volume, Consumption Volume, Revenue and Growth Rate 2013-2023):
North America (United States, Canada and Mexico)
Europe (Germany, UK, France, Italy, Russia, Spain and Benelux)
Asia Pacific (China, Japan, India, Southeast Asia and Australia)
Latin America (Brazil, Argentina and Colombia)
Middle East and Africa
Global Music Production App Market: Type Segment Analysis (Consumption Volume, Average Price, Revenue, Market Share and Trend 2013-2023):
DAWs (Full on Apps to Create Songs)
Synths App
Beat Machines App
Effects Processors App
Other
Global Music Production App Market: Application Segment Analysis (Consumption Volume and Market Share 2013-2023; Downstream Customers and Market Analysis)
iOS System Phone
Android System Phone
Windows System Phone
Others
Global Music Production App Market: Manufacturers Segment Analysis (Company and Product introduction, Music Production App Sales Volume, Revenue, Price and Gross Margin):
Native Instruments
Akai
Korg
Apple
Steinberg
Image-Line
Arturia
Casio
Moog Music
Propellerhead
In a word, the report provides detailed statistics and analysis on the state of the industry; and is a valuable source of guidance and direction for companies and individuals interested in the market.
CHAPTER 1 OVERVIEW OF MUSIC PRODUCTION APP
1.1 Definition of Music Production App in This Report
1.2 Commercial Types of Music Production App
1.2.1 DAWs (Full on Apps to Create Songs)
1.2.2 Synths App
1.2.3 Beat Machines App
1.2.4 Effects Processors App
1.2.5 Other
1.3 Downstream Application of Music Production App
1.3.1 iOS System Phone
1.3.2 Android System Phone
1.3.3 Windows System Phone
1.3.4 Others
1.4 Development History of Music Production App
1.5 Market Status and Trend of Music Production App 2013-2023
1.5.1 Global Music Production App Market Status and Trend 2013-2023
1.5.2 Regional Music Production App Market Status and Trend 2013-2023
CHAPTER 2 GLOBAL MARKET STATUS AND FORECAST BY REGIONS
2.1 Market Development of Music Production App 2013-2017
2.2 Sales Market of Music Production App by Regions
2.2.1 Sales Volume of Music Production App by Regions
2.2.2 Sales Value of Music Production App by Regions
2.3 Production Market of Music Production App by Regions
2.4 Global Market Forecast of Music Production App 2018-2023
2.4.1 Global Market Forecast of Music Production App 2018-2023
2.4.2 Market Forecast of Music Production App by Regions 2018-2023
CHAPTER 3 GLOBAL MARKET STATUS AND FORECAST BY TYPES
3.1 Sales Volume of Music Production App by Types
3.2 Sales Value of Music Production App by Types
3.3 Market Forecast of Music Production App by Types
CHAPTER 4 GLOBAL MARKET STATUS AND FORECAST BY DOWNSTREAM INDUSTRY
4.1 Global Sales Volume of Music Production App by Downstream Industry
4.2 Global Market Forecast of Music Production App by Downstream Industry
CHAPTER 5 NORTH AMERICA MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
5.1 North America Music Production App Market Status by Countries
5.1.1 North America Music Production App Sales by Countries (2013-2017)
5.1.2 North America Music Production App Revenue by Countries (2013-2017)
5.1.3 United States Music Production App Market Status (2013-2017)
5.1.4 Canada Music Production App Market Status (2013-2017)
5.1.5 Mexico Music Production App Market Status (2013-2017)
5.2 North America Music Production App Market Status by Manufacturers
5.3 North America Music Production App Market Status by Type (2013-2017)
5.3.1 North America Music Production App Sales by Type (2013-2017)
5.3.2 North America Music Production App Revenue by Type (2013-2017)
5.4 North America Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 6 EUROPE MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
6.1 Europe Music Production App Market Status by Countries
6.1.1 Europe Music Production App Sales by Countries (2013-2017)
6.1.2 Europe Music Production App Revenue by Countries (2013-2017)
6.1.3 Germany Music Production App Market Status (2013-2017)
6.1.4 UK Music Production App Market Status (2013-2017)
6.1.5 France Music Production App Market Status (2013-2017)
6.1.6 Italy Music Production App Market Status (2013-2017)
6.1.7 Russia Music Production App Market Status (2013-2017)
6.1.8 Spain Music Production App Market Status (2013-2017)
6.1.9 Benelux Music Production App Market Status (2013-2017)
6.2 Europe Music Production App Market Status by Manufacturers
6.3 Europe Music Production App Market Status by Type (2013-2017)
6.3.1 Europe Music Production App Sales by Type (2013-2017)
6.3.2 Europe Music Production App Revenue by Type (2013-2017)
6.4 Europe Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 7 ASIA PACIFIC MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
7.1 Asia Pacific Music Production App Market Status by Countries
7.1.1 Asia Pacific Music Production App Sales by Countries (2013-2017)
7.1.2 Asia Pacific Music Production App Revenue by Countries (2013-2017)
7.1.3 China Music Production App Market Status (2013-2017)
7.1.4 Japan Music Production App Market Status (2013-2017)
7.1.5 India Music Production App Market Status (2013-2017)
7.1.6 Southeast Asia Music Production App Market Status (2013-2017)
7.1.7 Australia Music Production App Market Status (2013-2017)
7.2 Asia Pacific Music Production App Market Status by Manufacturers
7.3 Asia Pacific Music Production App Market Status by Type (2013-2017)
7.3.1 Asia Pacific Music Production App Sales by Type (2013-2017)
7.3.2 Asia Pacific Music Production App Revenue by Type (2013-2017)
7.4 Asia Pacific Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 8 LATIN AMERICA MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
8.1 Latin America Music Production App Market Status by Countries
8.1.1 Latin America Music Production App Sales by Countries (2013-2017)
8.1.2 Latin America Music Production App Revenue by Countries (2013-2017)
8.1.3 Brazil Music Production App Market Status (2013-2017)
8.1.4 Argentina Music Production App Market Status (2013-2017)
8.1.5 Colombia Music Production App Market Status (2013-2017)
8.2 Latin America Music Production App Market Status by Manufacturers
8.3 Latin America Music Production App Market Status by Type (2013-2017)
8.3.1 Latin America Music Production App Sales by Type (2013-2017)
8.3.2 Latin America Music Production App Revenue by Type (2013-2017)
8.4 Latin America Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 9 MIDDLE EAST AND AFRICA MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
9.1 Middle East and Africa Music Production App Market Status by Countries
9.1.1 Middle East and Africa Music Production App Sales by Countries (2013-2017)
9.1.2 Middle East and Africa Music Production App Revenue by Countries (2013-2017)
9.1.3 Middle East Music Production App Market Status (2013-2017)
9.1.4 Africa Music Production App Market Status (2013-2017)
9.2 Middle East and Africa Music Production App Market Status by Manufacturers
9.3 Middle East and Africa Music Production App Market Status by Type (2013-2017)
9.3.1 Middle East and Africa Music Production App Sales by Type (2013-2017)
9.3.2 Middle East and Africa Music Production App Revenue by Type (2013-2017)
9.4 Middle East and Africa Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 10 MARKET DRIVING FACTOR ANALYSIS OF MUSIC PRODUCTION APP
10.1 Global Economy Situation and Trend Overview
10.2 Music Production App Downstream Industry Situation and Trend Overview
CHAPTER 11 MUSIC PRODUCTION APP MARKET COMPETITION STATUS BY MAJOR MANUFACTURERS
11.1 Production Volume of Music Production App by Major Manufacturers
11.2 Production Value of Music Production App by Major Manufacturers
11.3 Basic Information of Music Production App by Major Manufacturers
11.3.1 Headquarters Location and Established Time of Music Production App Major Manufacturer
11.3.2 Employees and Revenue Level of Music Production App Major Manufacturer
11.4 Market Competition News and Trend
11.4.1 Merger, Consolidation or Acquisition News
11.4.2 Investment or Disinvestment News
11.4.3 New Product Development and Launch
CHAPTER 12 MUSIC PRODUCTION APP MAJOR MANUFACTURERS INTRODUCTION AND MARKET DATA
12.1 Native Instruments
12.1.1 Company profile
12.1.2 Representative Music Production App Product
12.1.3 Music Production App Sales, Revenue, Price and Gross Margin of Native Instruments
12.2 Akai
12.2.1 Company profile
12.2.2 Representative Music Production App Product
12.2.3 Music Production App Sales, Revenue, Price and Gross Margin of Akai
12.3 Korg
12.3.1 Company profile
12.3.2 Representative Music Production App Product
12.3.3 Music Production App Sales, Revenue, Price and Gross Margin of Korg
12.4 Apple
12.4.1 Company profile
12.4.2 Representative Music Production App Product
12.4.3 Music Production App Sales, Revenue, Price and Gross Margin of Apple
12.5 Steinberg
12.5.1 Company profile
12.5.2 Representative Music Production App Product
12.5.3 Music Production App Sales, Revenue, Price and Gross Margin of Steinberg
12.6 Image-Line
12.6.1 Company profile
12.6.2 Representative Music Production App Product
12.6.3 Music Production App Sales, Revenue, Price and Gross Margin of Image-Line
12.7 Arturia
12.7.1 Company profile
12.7.2 Representative Music Production App Product
12.7.3 Music Production App Sales, Revenue, Price and Gross Margin of Arturia
12.8 Casio
12.8.1 Company profile
12.8.2 Representative Music Production App Product
12.8.3 Music Production App Sales, Revenue, Price and Gross Margin of Casio
12.9 Moog Music
12.9.1 Company profile
12.9.2 Representative Music Production App Product
12.9.3 Music Production App Sales, Revenue, Price and Gross Margin of Moog Music
12.10 Propellerhead
12.10.1 Company profile
12.10.2 Representative Music Production App Product
12.10.3 Music Production App Sales, Revenue, Price and Gross Margin of Propellerhead
CHAPTER 13 UPSTREAM AND DOWNSTREAM MARKET ANALYSIS OF MUSIC PRODUCTION APP
13.1 Industry Chain of Music Production App
13.2 Upstream Market and Representative Companies Analysis
13.3 Downstream Market and Representative Companies Analysis
CHAPTER 14 COST AND GROSS MARGIN ANALYSIS OF MUSIC PRODUCTION APP
14.1 Cost Structure Analysis of Music Production App
14.2 Raw Materials Cost Analysis of Music Production App
14.3 Labor Cost Analysis of Music Production App
14.4 Manufacturing Expenses Analysis of Music Production App
CHAPTER 15 REPORT CONCLUSION
CHAPTER 16 RESEARCH METHODOLOGY AND REFERENCE
16.1 Methodology/Research Approach
16.1.1 Research Programs/Design
16.1.2 Market Size Estimation
16.1.3 Market Breakdown and Data Triangulation
16.2 Data Source
16.2.1 Secondary Sources
16.2.2 Primary Sources
16.3 Reference
1.1 Definition of Music Production App in This Report
1.2 Commercial Types of Music Production App
1.2.1 DAWs (Full on Apps to Create Songs)
1.2.2 Synths App
1.2.3 Beat Machines App
1.2.4 Effects Processors App
1.2.5 Other
1.3 Downstream Application of Music Production App
1.3.1 iOS System Phone
1.3.2 Android System Phone
1.3.3 Windows System Phone
1.3.4 Others
1.4 Development History of Music Production App
1.5 Market Status and Trend of Music Production App 2013-2023
1.5.1 Global Music Production App Market Status and Trend 2013-2023
1.5.2 Regional Music Production App Market Status and Trend 2013-2023
CHAPTER 2 GLOBAL MARKET STATUS AND FORECAST BY REGIONS
2.1 Market Development of Music Production App 2013-2017
2.2 Sales Market of Music Production App by Regions
2.2.1 Sales Volume of Music Production App by Regions
2.2.2 Sales Value of Music Production App by Regions
2.3 Production Market of Music Production App by Regions
2.4 Global Market Forecast of Music Production App 2018-2023
2.4.1 Global Market Forecast of Music Production App 2018-2023
2.4.2 Market Forecast of Music Production App by Regions 2018-2023
CHAPTER 3 GLOBAL MARKET STATUS AND FORECAST BY TYPES
3.1 Sales Volume of Music Production App by Types
3.2 Sales Value of Music Production App by Types
3.3 Market Forecast of Music Production App by Types
CHAPTER 4 GLOBAL MARKET STATUS AND FORECAST BY DOWNSTREAM INDUSTRY
4.1 Global Sales Volume of Music Production App by Downstream Industry
4.2 Global Market Forecast of Music Production App by Downstream Industry
CHAPTER 5 NORTH AMERICA MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
5.1 North America Music Production App Market Status by Countries
5.1.1 North America Music Production App Sales by Countries (2013-2017)
5.1.2 North America Music Production App Revenue by Countries (2013-2017)
5.1.3 United States Music Production App Market Status (2013-2017)
5.1.4 Canada Music Production App Market Status (2013-2017)
5.1.5 Mexico Music Production App Market Status (2013-2017)
5.2 North America Music Production App Market Status by Manufacturers
5.3 North America Music Production App Market Status by Type (2013-2017)
5.3.1 North America Music Production App Sales by Type (2013-2017)
5.3.2 North America Music Production App Revenue by Type (2013-2017)
5.4 North America Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 6 EUROPE MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
6.1 Europe Music Production App Market Status by Countries
6.1.1 Europe Music Production App Sales by Countries (2013-2017)
6.1.2 Europe Music Production App Revenue by Countries (2013-2017)
6.1.3 Germany Music Production App Market Status (2013-2017)
6.1.4 UK Music Production App Market Status (2013-2017)
6.1.5 France Music Production App Market Status (2013-2017)
6.1.6 Italy Music Production App Market Status (2013-2017)
6.1.7 Russia Music Production App Market Status (2013-2017)
6.1.8 Spain Music Production App Market Status (2013-2017)
6.1.9 Benelux Music Production App Market Status (2013-2017)
6.2 Europe Music Production App Market Status by Manufacturers
6.3 Europe Music Production App Market Status by Type (2013-2017)
6.3.1 Europe Music Production App Sales by Type (2013-2017)
6.3.2 Europe Music Production App Revenue by Type (2013-2017)
6.4 Europe Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 7 ASIA PACIFIC MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
7.1 Asia Pacific Music Production App Market Status by Countries
7.1.1 Asia Pacific Music Production App Sales by Countries (2013-2017)
7.1.2 Asia Pacific Music Production App Revenue by Countries (2013-2017)
7.1.3 China Music Production App Market Status (2013-2017)
7.1.4 Japan Music Production App Market Status (2013-2017)
7.1.5 India Music Production App Market Status (2013-2017)
7.1.6 Southeast Asia Music Production App Market Status (2013-2017)
7.1.7 Australia Music Production App Market Status (2013-2017)
7.2 Asia Pacific Music Production App Market Status by Manufacturers
7.3 Asia Pacific Music Production App Market Status by Type (2013-2017)
7.3.1 Asia Pacific Music Production App Sales by Type (2013-2017)
7.3.2 Asia Pacific Music Production App Revenue by Type (2013-2017)
7.4 Asia Pacific Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 8 LATIN AMERICA MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
8.1 Latin America Music Production App Market Status by Countries
8.1.1 Latin America Music Production App Sales by Countries (2013-2017)
8.1.2 Latin America Music Production App Revenue by Countries (2013-2017)
8.1.3 Brazil Music Production App Market Status (2013-2017)
8.1.4 Argentina Music Production App Market Status (2013-2017)
8.1.5 Colombia Music Production App Market Status (2013-2017)
8.2 Latin America Music Production App Market Status by Manufacturers
8.3 Latin America Music Production App Market Status by Type (2013-2017)
8.3.1 Latin America Music Production App Sales by Type (2013-2017)
8.3.2 Latin America Music Production App Revenue by Type (2013-2017)
8.4 Latin America Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 9 MIDDLE EAST AND AFRICA MARKET STATUS BY COUNTRIES, TYPE, MANUFACTURERS AND DOWNSTREAM INDUSTRY
9.1 Middle East and Africa Music Production App Market Status by Countries
9.1.1 Middle East and Africa Music Production App Sales by Countries (2013-2017)
9.1.2 Middle East and Africa Music Production App Revenue by Countries (2013-2017)
9.1.3 Middle East Music Production App Market Status (2013-2017)
9.1.4 Africa Music Production App Market Status (2013-2017)
9.2 Middle East and Africa Music Production App Market Status by Manufacturers
9.3 Middle East and Africa Music Production App Market Status by Type (2013-2017)
9.3.1 Middle East and Africa Music Production App Sales by Type (2013-2017)
9.3.2 Middle East and Africa Music Production App Revenue by Type (2013-2017)
9.4 Middle East and Africa Music Production App Market Status by Downstream Industry (2013-2017)
CHAPTER 10 MARKET DRIVING FACTOR ANALYSIS OF MUSIC PRODUCTION APP
10.1 Global Economy Situation and Trend Overview
10.2 Music Production App Downstream Industry Situation and Trend Overview
CHAPTER 11 MUSIC PRODUCTION APP MARKET COMPETITION STATUS BY MAJOR MANUFACTURERS
11.1 Production Volume of Music Production App by Major Manufacturers
11.2 Production Value of Music Production App by Major Manufacturers
11.3 Basic Information of Music Production App by Major Manufacturers
11.3.1 Headquarters Location and Established Time of Music Production App Major Manufacturer
11.3.2 Employees and Revenue Level of Music Production App Major Manufacturer
11.4 Market Competition News and Trend
11.4.1 Merger, Consolidation or Acquisition News
11.4.2 Investment or Disinvestment News
11.4.3 New Product Development and Launch
CHAPTER 12 MUSIC PRODUCTION APP MAJOR MANUFACTURERS INTRODUCTION AND MARKET DATA
12.1 Native Instruments
12.1.1 Company profile
12.1.2 Representative Music Production App Product
12.1.3 Music Production App Sales, Revenue, Price and Gross Margin of Native Instruments
12.2 Akai
12.2.1 Company profile
12.2.2 Representative Music Production App Product
12.2.3 Music Production App Sales, Revenue, Price and Gross Margin of Akai
12.3 Korg
12.3.1 Company profile
12.3.2 Representative Music Production App Product
12.3.3 Music Production App Sales, Revenue, Price and Gross Margin of Korg
12.4 Apple
12.4.1 Company profile
12.4.2 Representative Music Production App Product
12.4.3 Music Production App Sales, Revenue, Price and Gross Margin of Apple
12.5 Steinberg
12.5.1 Company profile
12.5.2 Representative Music Production App Product
12.5.3 Music Production App Sales, Revenue, Price and Gross Margin of Steinberg
12.6 Image-Line
12.6.1 Company profile
12.6.2 Representative Music Production App Product
12.6.3 Music Production App Sales, Revenue, Price and Gross Margin of Image-Line
12.7 Arturia
12.7.1 Company profile
12.7.2 Representative Music Production App Product
12.7.3 Music Production App Sales, Revenue, Price and Gross Margin of Arturia
12.8 Casio
12.8.1 Company profile
12.8.2 Representative Music Production App Product
12.8.3 Music Production App Sales, Revenue, Price and Gross Margin of Casio
12.9 Moog Music
12.9.1 Company profile
12.9.2 Representative Music Production App Product
12.9.3 Music Production App Sales, Revenue, Price and Gross Margin of Moog Music
12.10 Propellerhead
12.10.1 Company profile
12.10.2 Representative Music Production App Product
12.10.3 Music Production App Sales, Revenue, Price and Gross Margin of Propellerhead
CHAPTER 13 UPSTREAM AND DOWNSTREAM MARKET ANALYSIS OF MUSIC PRODUCTION APP
13.1 Industry Chain of Music Production App
13.2 Upstream Market and Representative Companies Analysis
13.3 Downstream Market and Representative Companies Analysis
CHAPTER 14 COST AND GROSS MARGIN ANALYSIS OF MUSIC PRODUCTION APP
14.1 Cost Structure Analysis of Music Production App
14.2 Raw Materials Cost Analysis of Music Production App
14.3 Labor Cost Analysis of Music Production App
14.4 Manufacturing Expenses Analysis of Music Production App
CHAPTER 15 REPORT CONCLUSION
CHAPTER 16 RESEARCH METHODOLOGY AND REFERENCE
16.1 Methodology/Research Approach
16.1.1 Research Programs/Design
16.1.2 Market Size Estimation
16.1.3 Market Breakdown and Data Triangulation
16.2 Data Source
16.2.1 Secondary Sources
16.2.2 Primary Sources
16.3 Reference
