Global Concert Market: Size, Trends & Forecasts (2016-2020)
Scope of the Report
The report titled “Global Concert Market: Size, Trends & Forecasts (2016-2020)”, provides an in-depth analysis of the global concert market by value, by number of tickets sold and by audience. The report also provides a detailed analysis of regional concert market of the following regions: North America, China and Japan.
Furthermore, the report assesses the key opportunities in the market and outlines the factors that are and will be driving the growth of the industry. Growth of the overall global concert market has also been forecasted for the period 2016-2020, taking into consideration the previous growth patterns, the growth drivers and the current and future trends.
The competition in global concert market is dominated by the one big player, Live Nation Entertainment Inc. Further, key players of the concert market Live Nation Entertainment, Inc., AEG Live (AEG Worldwide) and Marek Lieberberg Konzertagentur (CTS Eventim AG & Co. KGaA) are profiled with their financial information and respective business strategies.
Country Coverage
The concept of music industry business revolves around the fundamental that companies and individuals make revenues and profits by creating and selling recorded music, live music performances (also known as concerts) and videos of songs and instrumental pieces.
Concert or the live music is a performance in front of the large audience. The live performance generates revenue through sale of tickets of the concerts to fans, advertising and sponsorships. The concerts are held in varying size of settings that include private houses, small nightclubs, concert halls, entertainment centres, parks to large multipurpose buildings and sports stadiums, etc. The concerts are live events that work with professional audio equipment.
The concert industry operates encompassing several players such as fans, ticket vendor, promoter, artist, manager, sponsor and venues.
Global concert market has increased at a significant CAGR during the years 2011-2015 and projections are made that the market would rise in the next four years i.e. 2016-2020 tremendously. The concert market is expected to increase due to growth in urban population, improving global infrastructure, increasing global GDP and GDP per-capita, increase in use of smartphones, etc. Yet the market faces some challenges such as, safety issues, competitive guarantee and downturn in global economy.
The report titled “Global Concert Market: Size, Trends & Forecasts (2016-2020)”, provides an in-depth analysis of the global concert market by value, by number of tickets sold and by audience. The report also provides a detailed analysis of regional concert market of the following regions: North America, China and Japan.
Furthermore, the report assesses the key opportunities in the market and outlines the factors that are and will be driving the growth of the industry. Growth of the overall global concert market has also been forecasted for the period 2016-2020, taking into consideration the previous growth patterns, the growth drivers and the current and future trends.
The competition in global concert market is dominated by the one big player, Live Nation Entertainment Inc. Further, key players of the concert market Live Nation Entertainment, Inc., AEG Live (AEG Worldwide) and Marek Lieberberg Konzertagentur (CTS Eventim AG & Co. KGaA) are profiled with their financial information and respective business strategies.
Country Coverage
- North America
- China
- Japan
- AEG Live (AEG Worldwide)
- Live Nation Entertainment, Inc.
- Marek Lieberberg Konzertagentur (CTS Eventim AG & Co. KGaA)
The concept of music industry business revolves around the fundamental that companies and individuals make revenues and profits by creating and selling recorded music, live music performances (also known as concerts) and videos of songs and instrumental pieces.
Concert or the live music is a performance in front of the large audience. The live performance generates revenue through sale of tickets of the concerts to fans, advertising and sponsorships. The concerts are held in varying size of settings that include private houses, small nightclubs, concert halls, entertainment centres, parks to large multipurpose buildings and sports stadiums, etc. The concerts are live events that work with professional audio equipment.
The concert industry operates encompassing several players such as fans, ticket vendor, promoter, artist, manager, sponsor and venues.
Global concert market has increased at a significant CAGR during the years 2011-2015 and projections are made that the market would rise in the next four years i.e. 2016-2020 tremendously. The concert market is expected to increase due to growth in urban population, improving global infrastructure, increasing global GDP and GDP per-capita, increase in use of smartphones, etc. Yet the market faces some challenges such as, safety issues, competitive guarantee and downturn in global economy.
1. EXECUTIVE SUMMARY
2. INTRODUCTION
2.1 Music Industry: An Overview
2.1.1 Composition of Music Industry Business
2.1.2 Sub-Sectors of Music Industry
2.2 Concert Industry: An Overview
2.2.1 Functioning of Concert Industry
2.2.2 Advantages & Disadvantages of Concerts
2.3 Concerts v/s Recorded Music
3. GLOBAL MARKET ANALYSIS
3.1 Global Concert Market: An Analysis
3.1.1 Global Concert Market by Value
3.1.2 Global Concert Market by Region
3.1.3 Global Concert Market by Top 100 Tours
By Value
By Tickets Sold
By Tickets Price
4. REGIONAL MARKET ANALYSIS
4.1 North America Concert Market: An Analysis
4.1.1 North America Concert Market by Value
4.1.2 North America Concert Market by Top 100 Tours
By Value
By Number of Tickets Sold & Average Price of Tickets
4.2 China Concert Market: An Analysis
4.2.1 China Concert Market by Value
4.2.2 China Concert Market by Audience
4.3 Japan Concert Market: An Analysis
4.3.1 Japan Music Market by Segments
4.3.2 Japan Concert Market by Value
4.3.3 Japan Concerts Market by Number of Concerts and Audiences
5. MARKET DYNAMICS
5.1 Growth Drivers
5.1.1 Increasing Global GDP & GDP Per-Capita
5.1.2 Booming Global Urban Population
5.1.3 Rising Global Smartphone Usage
5.1.4 Increasing Global Social Network Users
5.1.5 Expanding Cashless Payments
5.2 Challenges
5.2.1 Safety Issues
5.2.2 Competitive Guarantees
5.2.3 Global Economic Downturn
5.3 Market Trends
5.3.1 Allocation of Consumer Spending
5.3.2 Improving Infrastructure
5.3.3 Emergence of Festivals
5.3.4 Prepaid Cards
5.3.5 Technology Improvement
5.3.6 Mobile Ticketing for Concerts
6. COMPETITIVE LANDSCAPE
6.1 Global Competitive Landscape
6.1.1 Global Top 10 Promoters by Tickets Sold
7. COMPANY PROFILE
7.1 AEG Live (AEG Worldwide)
7.1.1 Business Overview
7.1.2 Business Strategy
7.2 Live Nation Entertainment, Inc.
7.2.1 Business Overview
7.2.2 Financial Overview
7.2.3 Business Strategy
7.3 Marek Lieberberg Konzertagentur (CTS Eventim AG & Co. KGaA)
7.3.1 Business Overview
7.3.2 Financial Overview
7.3.3 Business Strategy
2. INTRODUCTION
2.1 Music Industry: An Overview
2.1.1 Composition of Music Industry Business
2.1.2 Sub-Sectors of Music Industry
2.2 Concert Industry: An Overview
2.2.1 Functioning of Concert Industry
2.2.2 Advantages & Disadvantages of Concerts
2.3 Concerts v/s Recorded Music
3. GLOBAL MARKET ANALYSIS
3.1 Global Concert Market: An Analysis
3.1.1 Global Concert Market by Value
3.1.2 Global Concert Market by Region
3.1.3 Global Concert Market by Top 100 Tours
By Value
By Tickets Sold
By Tickets Price
4. REGIONAL MARKET ANALYSIS
4.1 North America Concert Market: An Analysis
4.1.1 North America Concert Market by Value
4.1.2 North America Concert Market by Top 100 Tours
By Value
By Number of Tickets Sold & Average Price of Tickets
4.2 China Concert Market: An Analysis
4.2.1 China Concert Market by Value
4.2.2 China Concert Market by Audience
4.3 Japan Concert Market: An Analysis
4.3.1 Japan Music Market by Segments
4.3.2 Japan Concert Market by Value
4.3.3 Japan Concerts Market by Number of Concerts and Audiences
5. MARKET DYNAMICS
5.1 Growth Drivers
5.1.1 Increasing Global GDP & GDP Per-Capita
5.1.2 Booming Global Urban Population
5.1.3 Rising Global Smartphone Usage
5.1.4 Increasing Global Social Network Users
5.1.5 Expanding Cashless Payments
5.2 Challenges
5.2.1 Safety Issues
5.2.2 Competitive Guarantees
5.2.3 Global Economic Downturn
5.3 Market Trends
5.3.1 Allocation of Consumer Spending
5.3.2 Improving Infrastructure
5.3.3 Emergence of Festivals
5.3.4 Prepaid Cards
5.3.5 Technology Improvement
5.3.6 Mobile Ticketing for Concerts
6. COMPETITIVE LANDSCAPE
6.1 Global Competitive Landscape
6.1.1 Global Top 10 Promoters by Tickets Sold
7. COMPANY PROFILE
7.1 AEG Live (AEG Worldwide)
7.1.1 Business Overview
7.1.2 Business Strategy
7.2 Live Nation Entertainment, Inc.
7.2.1 Business Overview
7.2.2 Financial Overview
7.2.3 Business Strategy
7.3 Marek Lieberberg Konzertagentur (CTS Eventim AG & Co. KGaA)
7.3.1 Business Overview
7.3.2 Financial Overview
7.3.3 Business Strategy
LIST OF FIGURES
Figure 1: Composition of Music Industry Business
Figure 2: Sub-Sectors of Music Industry
Figure 3: Functioning of Concert Industry
Figure 4: Advantages & Disadvantages of Concerts
Figure 5: Global Concert Market by Value; 2011-2015 (US$ Billion)
Figure 6: Global Concert Market by Value; 2016-2020 (US$ Billion)
Figure 7: Global Concert Market by Region; 2015
Figure 8: Global Top 100 Concert Tours by Value; 2013-2015 (US$ Billion)
Figure 9: Global Top 100 Concert Tours by Tickets Sold; 2013-2015 (Million)
Figure 10: Global Top 100 Concert Tours by Ticket Price; 2014-2015 (US$)
Figure 11: North America Concert Market by Value; 2011-2015 (US$ Billion)
Figure 12: North America Concert Market by Value; 2016-2020 (US$ Billion)
Figure 13: North America Top 100 Concert Tour by Value; 2014-2015 (US$ Billion)
Figure 14: North America Top 100 Concert Tour by Number of Tickets Sold & Average Price of Tickets; 2014-2015 (US$ Billion)
Figure 15: China Concert Market by Value; 2015-2020 (US$ Million)
Figure 16: China Concert Market by Audience; 2015-2020 (Million)
Figure 17: Japan Music Market by Segments; 2011 & 2014
Figure 18: Japan Concert Market by Value; 2010-2015 (US$ Billion)
Figure 19: Japan Concert Market by Number of Concerts and Audiences; 2010-2015
Figure 20: Global GDP & GDP Per-Capita; 2009-2015
Figure 21: Global Urban Population; 2009-2015 (Billion)
Figure 22: Global Smartphone Usage; 2011-2015 (Million Units)
Figure 23: Global Social Network Users; 2011-2020 (Billions)
Figure 24: Global Payment Market by Segments; 2014 & 2019
Figure 25: Allocation of Consumer Spending (Age Group of 18-25 years) in the US; 2015 Percentage (%)
Figure 26: Live Nation Revenue; 2011-2015 (US$ Billion)
Figure 27: Live Nation Segment Revenue; 2015
Figure 28: CTS Eventim AG & Co. KGaA Revenue; 2011-2015 (US$ Million)
Figure 29: CTS Eventim AG & Co. KGaA Segment Revenue; 2015
Table 1: Concerts v/s Recorded Music
Table 2: Global Top 10 Promoters by Tickets Sold; 2015
Figure 1: Composition of Music Industry Business
Figure 2: Sub-Sectors of Music Industry
Figure 3: Functioning of Concert Industry
Figure 4: Advantages & Disadvantages of Concerts
Figure 5: Global Concert Market by Value; 2011-2015 (US$ Billion)
Figure 6: Global Concert Market by Value; 2016-2020 (US$ Billion)
Figure 7: Global Concert Market by Region; 2015
Figure 8: Global Top 100 Concert Tours by Value; 2013-2015 (US$ Billion)
Figure 9: Global Top 100 Concert Tours by Tickets Sold; 2013-2015 (Million)
Figure 10: Global Top 100 Concert Tours by Ticket Price; 2014-2015 (US$)
Figure 11: North America Concert Market by Value; 2011-2015 (US$ Billion)
Figure 12: North America Concert Market by Value; 2016-2020 (US$ Billion)
Figure 13: North America Top 100 Concert Tour by Value; 2014-2015 (US$ Billion)
Figure 14: North America Top 100 Concert Tour by Number of Tickets Sold & Average Price of Tickets; 2014-2015 (US$ Billion)
Figure 15: China Concert Market by Value; 2015-2020 (US$ Million)
Figure 16: China Concert Market by Audience; 2015-2020 (Million)
Figure 17: Japan Music Market by Segments; 2011 & 2014
Figure 18: Japan Concert Market by Value; 2010-2015 (US$ Billion)
Figure 19: Japan Concert Market by Number of Concerts and Audiences; 2010-2015
Figure 20: Global GDP & GDP Per-Capita; 2009-2015
Figure 21: Global Urban Population; 2009-2015 (Billion)
Figure 22: Global Smartphone Usage; 2011-2015 (Million Units)
Figure 23: Global Social Network Users; 2011-2020 (Billions)
Figure 24: Global Payment Market by Segments; 2014 & 2019
Figure 25: Allocation of Consumer Spending (Age Group of 18-25 years) in the US; 2015 Percentage (%)
Figure 26: Live Nation Revenue; 2011-2015 (US$ Billion)
Figure 27: Live Nation Segment Revenue; 2015
Figure 28: CTS Eventim AG & Co. KGaA Revenue; 2011-2015 (US$ Million)
Figure 29: CTS Eventim AG & Co. KGaA Segment Revenue; 2015
Table 1: Concerts v/s Recorded Music
Table 2: Global Top 10 Promoters by Tickets Sold; 2015
